James Jamesson

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James Jamesson

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James Jamerson

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A true session giant, Jamerson has played on over 30 number one records, laid down stone cold grooves for the biggest artists Motown, soul and funk could throw at him, and has influenced scores of bass players from all genres of music.

How to play bass like James Jamerson. From Les Claypool and Victor Wooten to Pino Palladino and Rob Trujillo , they all dig James Lee Jamerson. There are scores of bassists today who make a living out of teaching others how to play like him, proving that his technique and tone are as influential now as they were back then.

As the following lines will testify, it's easy to see why he's held up as one of the greatest bass players of all time. His nimble bass playing was considered an integral part of the " Motown Sound ".

He created melodic lines that were nonetheless locked to the drum groove. Jamerson's transition from upright to electric bass was at a time when electric bass was a relatively new instrument, and its use and style of play was not well established.

Bassists who have noted Jamerson's contribution or been influenced by him include Rocco Prestia , Anthony Jackson , Pino Palladino , Paul McCartney , Bob Babbitt , Nathan Watts , Will Lee , Geddy Lee , Chuck Rainey , Marcus Miller , Mike Mills , Phil Chen , John Entwistle , Michael League , Mike Watt , Sting , John Paul Jones , Bernard Odum , Victor Wooten , Robert DeLeo , Glenn Hughes , Tommy Shannon , Suzi Quatro , Ron Asheton , Tony Sales , Peter Cetera , Robert Kool Bell , Bootsy Collins , Michael "Flea" Balzary , Jaco Pastorius , Stanley Clarke , Jack Bruce , John Patitucci , Jason Newsted , Rick Danko , Garry Tallent , Alan Gorrie , Jerry Jemmott , Andy Fraser , Matt Noveskey , Brian Wilson and others.

Shortly after Motown moved their headquarters to Los Angeles, California in , Jamerson moved there himself and found occasional studio work, but his relationship with Motown officially ended in Walker Swing Street Cafe , , and Bloodstone He felt out of place and over time his increased dependence on alcohol affected his work.

By the s he was unable to get any serious gigs working as a session musician. Jamerson married Annie Wells shortly before graduating from high school.

His son, James Jamerson Jr. Long troubled by alcoholism , Jamerson died of complications from cirrhosis of the liver, heart failure and pneumonia on August 2, , in Los Angeles.

Jamerson as is the case with the other Funk Brothers received little formal recognition for his lifetime contributions.

He was noted as "the incomparable James Jamerson" on the record's sleeve. Jamerson was the subject of a book by Allan Slutsky in titled Standing in the Shadows of Motown.

The book includes a biography of Jamerson, transcriptions of his bass lines, two CDs in which 26 bassists such as Pino Palladino , John Entwistle , Chuck Rainey , and Geddy Lee speak about Jamerson and play the transcriptions.

Jamerson's work has continued to be the subject of various publications. Jamerson was inducted into the Rock and Roll Hall of Fame in , among the first-ever group of "sidemen" to be inducted.

Jamerson has received several accolades in his home state of South Carolina. Martin Luther King Dream Keeper Award , induction to the Lowcountry Music Hall of Fame , [48] induction to the Carolina Beach Music Hall of Fame Jamerson started on a school owned upright bass.

After graduating from high school, he bought a German upright acoustic bass which he later used on such Motown hits as " My Guy " by Mary Wells and " Love Is Like a Heat Wave " by Martha and the Vandellas.

In to he transitioned to electric bass. Jamerson played mainly the Fender Precision Bass , but is known to have briefly used a Fender Bass V and a Hagström eight-string later in his career.

His first electric bass was a Precision Bass, [7] p84 refinished in black, with a gold-anodized pickguard and maple fretboard, [ citation needed ] nicknamed "Black Beauty".

The bass was previously owned by his fellow bass player Horace "Chili" Ruth. But the instrument was soon stolen. After his Precision Bass was stolen, he briefly replaced it with an early sixties sunburst Precision which was also stolen.

He then acquired [j] a stock Fender Precision Bass which was dubbed "The Funk Machine" by his fellow musicians.

It had a three-tone sunburst finish, a tortoiseshell pickguard, rosewood fretboard and chrome pickup and bridge covers the latter containing a piece of foam used to dampen sustain and some overtones.

On the heel of the instrument he carved the word "FUNK" in blue ink. He typically set its volume and tone knobs on full. This instrument was also stolen, just days before Jamerson's death in , and never recovered.

Jamerson used La Bella heavy-gauge. He did not particularly take care of the instrument, as he stated: "The dirt keeps the funk".

The neck may have eventually warped, as many claimed it was impossible to play. While this made it more difficult to fret, Jamerson believed it improved the quality of the tone.

One aspect of Jamerson's upright playing that carried over to the electric bass guitar, was the fact that he generally used only his right index finger to pluck the strings while resting his third and fourth fingers on the chrome pickup cover.

Jamerson's index finger even earned its own nickname: "The Hook". Another aspect of Jamerson's upright playing that carried over was his use of open strings, a technique long used by jazz bass players, to pivot around the fretboard which served to give his lines a fluid feeling.

Jamerson's amplifier of choice at club performances was an Ampeg B ; in larger venues, he used a blue Kustom with twin inch speakers. He adjusted the console so that his sound was slightly overdriven and had a mild tube compression.

In it was reported that Jamerson gave a Fender Precision bass to bassist Billy Hayes in or ; the instrument was auctioned in In a interview with Musician magazine , Jamerson said about Motown's songwriting-production team: they "would give me the chord sheet , but they couldn't write for me.

When they did, it didn't sound right. When they gave me that chord sheet, I'd look at it, but then start doing what I felt and what I thought would fit.

I'd hear the melody line from the lyrics and I'd build the bass line around that. Motown's founder Berry Gordy called Jamerson an "incredible improviser" and said "I, like some of the other producers, would not do a session unless at least two of the Funk Brothers were present — namely, Benny Benjamin and James Jamerson.

From Wikipedia, the free encyclopedia. This article is about the bassist. For other uses, see James Jamerson disambiguation.

American bassist. Jamerson in [1] [a]. In , Jamerson's mother moved to Detroit to find work. A year later, she sent for her son.

At Northwestern High, Jamerson picked up an upright bass that was lying on the floor in the music room and "found" his instrument.

Never a solitary play-the-scales-millions-of-times type of musician, the budding young bassist honed his skills at jam sessions, in the high school jazz band, and by playing with some of Detroit's top jazz musicians like Kenny Burrell , Yusef Lateef , and Hank Jones.

As his reputation grew, Jamerson began playing at dances, weddings, and frat parties with schoolmates Richard 'Popcorn' Wylie piano and Clifford Mack drums.

Jamerson was becoming a neighborhood hero, driving around Detroit with his upright bass sticking out of his car window.

Still a minor, the Detroit police department gave him a permit to play in clubs that served liquor, enabling him to get more work. Just before graduation, he married Annie Wells and turned down a music scholarship from Wayne State University, reasoning that he was already working in the music field.

After graduation, he began playing with Washboard Willie and the Supersuds of Rhythm. The experience was both a blessing and a curse. By playing with the blues-based band, Jamerson learned how to play the blues, while on his other gigs he played all kinds of jazz.

But he also began drinking alcohol, something he had abstained from up to that point. In , Johnnie Mae Matthews , owner of Northern Records heard Jamerson at a Supersuds club gig and asked him to play on sessions for the label.

His unique style came to the attention of other Detroit-area labels, and the year-old Jamerson began cutting sides for Fortune, Tri-Phi, Anna Records, and others.

Some musicians invited Jamerson to a session at a small basement studio in a converted house at West Grand Boulevard, which eventually became the recording base of Motown Records.

The enigmatic bassist found his musical soulmates in pianist Earl Van Dyke , drummer Benny Benjamin , guitarists Robert White, Joe Messina , and the rest of the Funk Brothers as the Motown studio band came to be known.

Jamison , Jamerson , James "Igor" Jamerson , James Jamerson Sr , James Jamerson Sr. Marketplace 13, For Sale Vinyl and CD. Data Quality Correct.

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James Jamesson

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